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Sector

Food & beverage

A trade where the packaging is the salesperson, mandatory labelling is not negotiable, and visibility is won on the shelf as much as online.

In food and drink, packaging makes the sale. It is seen on a shelf, in one second, beside competitors established for longer than you. What it has to achieve comes down to three things: being legible from a distance, saying what it is, and inspiring confidence in something people will eat.

The regulatory constraint is not a detail: composition, weight, dates, origin, producer details. Beautiful packaging that omits a mandatory item is packaging to be reprinted, and it is the sector’s most expensive mistake because it is discovered after the print run.

The third point is distribution. Your end customer is not always the decision-maker: there is the distributor, the wholesaler, the shop manager. Part of your communication addresses them, and it looks nothing like what is aimed at the consumer.

So we handle packaging with printing and regulatory constraints from the design stage, and we clearly separate what speaks to the consumer from what speaks to the trade.

What we usually find

  • Your packaging had to be reprinted because a mandatory item was missing.
  • Your product disappears on the shelf beside competitors.
  • Your colours come out differently on every run.
  • You communicate the same way to consumers and to distributors.

What changes

  • Packaging that shows on the shelf

    Legible at a distance and on a crowded shelf, which is the only test that matters for a food product.

  • Correct labelling first time

    Obligations handled at design time rather than on return from the printer, which saves a whole run.

  • Two separate messages

    What speaks to a consumer and what speaks to a distributor are neither the same message nor the same material.

What you get

  • Packaging design

    Cutting, folding, distance legibility and mandatory information built in from the first layout.

  • Printing constraints

    Stocks, processes and tolerances checked with your printer before drawing.

  • Range extension

    A system that allows a new line to be added without redrawing the whole range.

  • Trade materials

    Product sheets, arguments and display stands aimed at the network rather than the consumer.

  • Consumer content

    Photographs, recipes and short video that give a reason to try something new.

How we work

  1. Gather the obligations

    Mandatory items, formats and regulatory information listed before any layout.

  2. Check the printing

    Process, stock and tolerances at your printer, because they change the drawing.

  3. Design for the shelf

    Tested at a distance and beside real competitors, not in isolation on a screen.

  4. Approve on a proof

    On a test print where volume justifies it, because colours shift in printing.

  5. Separate the audiences

    A consumer set and a trade set, which share almost nothing.

Is this the right fit for you?

This is for you if

  • You produce something sold on a shelf or distributed to resellers.
  • You are launching a range or adding a line to one.
  • You accept dealing with mandatory labelling before the design.

This is not for you if

  • You want packaging with no printing or regulatory constraints. It will have to be redone.
  • You sell only direct with no packaging. The subject is elsewhere.
  • You want to copy a competitor’s packaging. That is a legal and commercial risk.

What we commit to

  • Labelling before aesthetics

    We list the obligations before drawing. Packaging that has to be reprinted costs more than the entire design.

  • Tested at shelf distance

    We check legibility at the real distance the product is seen from, not on a screen thirty centimetres away.

  • Designed to be reprinted

    We avoid processes that make the second run more expensive than the first.

How do you produce and distribute a food product in Algeria?

Local printing constraints decide a large part of the design. Available stocks, cutting tolerances, inks and processes vary between printers and between periods. Packaging designed without checking them degrades on the second run, when the intended material is unavailable.

Shelf space is contested and often badly lit. Packaging resting on subtle gradations or fine text disappears, while a strong contrast and a name legible at two metres holds. That is a design criterion, not an aesthetic preference.

Finally, distribution runs through intermediaries who decide whether a product is listed. Convincing them takes different arguments — margin, turnover, format, case size — and materials that look nothing like those aimed at consumers.

Frequently asked questions

Which labelling is mandatory?

It depends on the product and its category. We list it with you before design, because discovering it after the print run costs a complete reprint.

Why do colours change in print?

Because a screen and an ink do not produce colour the same way. We design for the chosen process and approve on a proof where the stakes justify it.

Does each line need different packaging?

A shared system with variants, rather than unrelated packs. That makes the range recognisable and lets a line be added without redoing everything.

How do we convince a distributor?

With arguments that concern them: margin, turnover, format, case size. It is not the same document as the one for consumers.

Should we communicate in Arabic or French?

Both, generally, with a hierarchy decided by your audience. We handle bilingualism at design time rather than adding text afterwards.

Does a food product need a website?

Usually a modest one: what matters is existing, being findable and giving product information. The bulk of the work stays with the packaging and the shelf.

How to start

Send us your current packaging, the list of your lines, and the name of your printer.

We come back with the constraints checked with them, the labelling to include, and what we would change so the product shows on the shelf.

What we have written on this subject

Let us talk about your project

A free audit, no commitment: we look at your online presence and tell you what is holding it back.

  • Labelling before aesthetics
  • Tested at shelf distance
  • Designed to be reprinted

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